東皋心越筆 梅図

Plum Blossoms

Donggao Xinyue

Late 17th century

The gnarled branch is rendered with rough brushstrokes, its twisted form stretching outward. The plum blossoms and buds are drawn with delicate, economical lines.

Toward the open arms of the branches, a verse is inscribed in cursive script alongside a signature and a meticulously carved seal. The poem introduces a nocturnal dimension absent from the image itself, casting the plum blossoms as a moral embodiment of the solitary and resilient scholar. It reads:

瘦影涵明月
清香任遠風

Slender shadows embrace the bright moon,
pure fragrance entrusted to the distant breeze.

Trans. by Tim T. Zhang

The gnarled branch is rendered with rough brushstrokes, its twisted form stretching outward. The plum blossoms and buds are drawn with delicate, economical lines.

Toward the open arms of the branches, a verse is inscribed in cursive script alongside a signature and a meticulously carved seal. The poem introduces a nocturnal dimension absent from the image itself, casting the plum blossoms as a moral embodiment of the solitary and resilient scholar. It reads:

瘦影涵明月
清香任遠風

Slender shadows embrace the bright moon,
pure fragrance entrusted to the distant breeze.

Trans. by Tim T. Zhang

Title:

東皋心越筆 梅図
Plum Blossoms

Creator:

Donggao Xinyue 東皋心越 (1639–1695)

Date:

Late 17th century

Culture:

Medium:

Hanging scroll; ink on paper

Dimensions:

Image: 11 1/2 × 13 1/4 in. (29.2 × 33.7 cm); Image with mounting: 42 × 18 (106.7 × 45.7 cm)

Classification:

Inscriptions, Signatures, and Seals:

Inscription:
瘦影涵明月
清香任遠風

Slender shadows embrace the bright moon,
pure fragrance entrusted to the distant breeze.

Signature: Donghao Yue 東皋越 [Japanese: Tōkō Etsu]

Seals: (Upper right, oval shape relief seal) Donggao 東皋 [TōKō]

(Square relief seal) Yuezi 越子 [Etsushi]; (square relief seal with outlined characters) Fangwai shiren 方外士人 [Hōgai shijin](The scholar beyond the secular world)

(Lower left, square intaglio seal) Woyou quanshi 臥游泉石 [Gayū senseki](Reclining with [imaginative] travel of spprings and rocks)

(Collector’s seals, Lower right, square relief sea) Zhonghe qinshi 中和琴室 (Zither Studio of Balanced Harmony); Gao Luopei yin 高羅佩印 (Gao Luopei’s [Robert van Gulik] seal)

(On verso of the scroll) Gao Luopei cang 高羅佩藏 (Collection of Gao Luopei [Robert van Gulik])

Provenance:

Owned by Robert van Gulik (1910–1967); Auctioned at Christie's The Van Gulik Collection of Fine Chinese, Japanese Tibetan Paintings and Calligraphy, lot 121, December 7, 1983; Auctioned at Bonhams London, Beauties, Beasts and Blossoms: An Important London Private Collection of Japanese Paintings, lot 2, November 3-11, 2025.

References: